we welcome one of ukraine’s most talented underground techno artists oleg mass delivering two dynamic gems stamped with his instantly recognizable and edgy production style.
on the remix, andre kronert creates a deep and driving mutation of “beyond that” and calculus strips “arrival of his” back to a gritty drum tool.

m.e.r - montevideo electric recordings is an uruguayan record label named after its capital city, montevideo. supporting vinyl s cultural tradition, this was the chosen format for releasing the work of its artists. m.e.r sound found itself in constants evolution and mutation, merging latin groove and rhythm and it s african background with classic detroit sound generating a space where different cultures meet without being locked in one genre alone. through dj/live sets m.e.r artists deliver a strong commitment to spread club culture and techno/house heritage, with musical quality and a floor-oriented sound.

injected poison records releases ip012, ip011 and ip005 all bundled up for one special price!

fireplays (also spelled -fireplais- on second single) was the moniker chosen in 1981 by italian producer franco pagliaccia foran instant-band project composed by him and a few other musicians. -allein- b/w -hormone- was released in mid-1982, and as can be clearly heard, both tracks clearly show the mutation disco as a genre, started having at the very beginning of the 80s in europe: ablend of electro disco, along with new-wavish elements and some classic era-blueprint sonic elements: synth driven melodies, filtered vocodered choruses, pads, swirling cosmic sounds, cowbells, all topped by a powerful male voice that will give genuineconnoisseurs an exact zeitgeist, along with assured goosebumps.

for the past 15 years the tanzanian megalopolis of dar es salaam has had one of the most exciting underground electronic music scenes in east africa. a constellation of micro-scenes from mchiriku, sebene and segere all the way to its latest mutation of singeli that finally after years of lurking in the underground has exploded into the mainstream and taken over bongo flava as the music of choice amongst tanzania s youth. born in the sprawling working class neighborhoods of tandale and manzese, singeli s signature sound consists of fast paced frantic loops interlocking with each other, with influences from zanzibars tarab music all the way to south african afro-house coupled with mc s who often spit satirical lyrics about the challenges facing tanzania s youth, from police corruption to the complications of dating girls when you are broke. if there is one studio that stands out amongst the hundreds that dot dar es salaam s musical landscape it is sisso records. centered around producers, bwax, sisso, bampa pana and yung keyz morento and mc s dogo niga and makavelli, they were early pioneers of the singeli sound. whilst some singeli artists have begun fusing their music with more traditional tanzanian hip hop, sisso have remained uncompromising in their sound, always raw, fast with a punk diy aesthetic that can at times verge on noise and gabber, to produce a spell binding music that is like no other sound system culture in the region.

aktion mutante (violet poison and unhuman) is a synth-punk project recalling the ‘80s minimal-wave melancholic vibes with new school ebm/ cyber-punk noise cuts. the realistic mutation of the human body into a surreal and ascetic mind setting of an apocalyptic contemporary society. a live force with analogue machines. aktion mutante’s alchemy of splintered synth-punk, bloody ebm and haunting wave injects right into the veins and spreads quickly through the body. the duo of violet poison (veleno viola) and unhuman (liber null) couldnt be more suited for each other. after meeting at liber null’s duality event in 2015, the two artists clicked immediately and were able to record some material in italy during the winter of 2016. the result is this suburb 12inch which is composed of six tracks and was mixed by aconito records, london and mastered by andrea merlini, utrecht.

this lp + bonus cd features the entire track listing, plus 5 bonus tracks from the italia new wave lp. this album represents the musical mutation that occurred after the post-punk hangover gave way to more frigid emotional shores, in-line with the synth-wave moment that was sweeping europe and the white cliffs of albion. this scene flourished in italy between 1981-1985, and the musicians that came out of it are still revered today (particularly in the us). robotic rhythms and intuitions that, besides sharing common ground with the electronic movements that had come before, also knew how to fill up the dancefloor! featuring four previously unreleased tracks by der blaue reiter, along with tracks by modo, actor s studio and la maison, as well as the still fresh sounding contributions by true pioneers of the genre neon and naif orchestra.

adrianis debut ep for the label, enter the fire, is the first evidence of a new mutation in the stroboscopic dna, as can be seen by a shift in ignazio mortellaros design work for the label.

electronic emergencies is thrilled to work together with brand new new york label sangron records on the 10-track compilation album sangron volume 1. compiled by skeleton heads leo torres, the compilation draws from the u.s. underground with songs from minimal synth pioneers crash course in science and mark lane, alongside contributions from skeleton head, revival times, m/a/n/o/s, ortrotasce, minima moralia, silent em, horoscope and paper music. moody, dancefloor-friendly and rebellious, this is music for dissidents

angesiedelt im jahr 2019 in neo-tokyo, erholt sich die welt noch von den verheerungen des dritten weltkrieges. die symphonische musik zu akira wurde von dr. shoji yamashiro komponiert, kopf des hoch geschätzten japanischen musikerkollektivs geinoh yamashirogumi, die die musik auch einspielten. neu aufgenommen und mit den fortschrittlichsten audiotechnologien remastert, ist diese veröffentlichung der unvergesslichen filmmusik von akira von einzigartiger qualität. auf der ebenfalls erscheinenden vinylveröffentlichung ist der klang gar so makellos, dass sie den »hypersonischen effekt« hervorruft, eine physiologische veränderung im gehirn, die beim hören von klängen vonstattengeht, die über dem menschlich hörbaren spektrum (40khz+) liegen. das ergebnis ist ein wohliges, entspanntes gefühl, ausgelöst vom high-frequency-audio.

(incl track by agents of time, franþois x, voiski, the hacker, orbe, abstract division, roberto & amandra) obscura, the italian based imprint run by agents of time, present their second release.

australian release - limited to 100 - 1 sided. tracklist a. sharpshooter shortinfo: brand new sharpshooter from melbourne artist nerve. sequencer-driven, high-speed modern elektro mutation for the 6am crowd. super limited, single-sided 12&#8243,,,, cut proper by helmut erler at dubplates & mastering

nice price deal !!! future electro-breaks straight outta france onto your decks!

hydergine is back on knotweed. he delivers his immediately recognisable style of dub techno, just a bit harder and faster than his usual self. the tracks are full of dreamy textures, ethereal synths, intricate drum-programming and bird-like sounds. this record oozes positive vibrations and will for sure make you fly during the summer!

sorgfältig zusammengestellte vinyl-kompilation mit remasterten afro-highlights.
aus dem ghanaischen musikstil highlife und us-amerikanischem jazz der 1960er-jahre fusionierte fela kuti einst das genre afrobeat. es hat in den vergangenen jahrzehnten schon so manche mutation erfahren, blieb aber immer eins: vitaler ausdruck ungebremster lebensfreude. wie attraktiv dieser auch für europäische ohren klingt, unterstreicht einmal mehr die lp-kompilation -wanted afrobeat-. sie ist bestandteil der exklusiven serie -wanted collection- des französischen labels wagram. die reihe widmet sich mit vier parallel veröffentlichten zusammenstellungen auf 180-gramm-vinyl den genres afrobeat, soul, funk und reggae, und damit dem besten, was black music zu bieten hat. was die editionen so besonders macht, ist neben dem sorgsam ausgewählten und remasterten songmaterial das ansprechende erscheinungsbild, das auf fotos des britischen fotografen chris steel-perkins zurückgeht. -wanted afrobeat- enthält neun songs von größen wie mulatu astatke, livy ekemezie, pat thomas und peter king.

after releasing two 12”s for lee gamble’s fledging uiq label, latvian artist n1l flits to where to now? to present four new compositions of smudged, innovative, and completely otherworldly bass mutation.

taking charge of the first release is lucy, who has evolved his distinct sound signature by reconciling the deeply personal with the esoteric, and by harmonizing the spheres of technology and biology. whether he is acting in the role of producer, dj, performer, or stroboscopic artefacts curator, lucys clear passion for creative evolution and mutation is something that continues to attract new listeners, and keeps giving his current supporters new reasons to continue tuning in. ep opener the hermit is eight minutes of spacious and cerebral techno. rolling drums are buried deep as little flecks of sound design peel off the groove. occasional bell hits bring a sombre and languid feel despite the drive of the drums, and it is the sort of perfectly absorbing track that will suck you down a 5am rabbit hole. on the flip, ‘the high priestess’ is a similarly mental work out that is empty and eerie, with distant drones and yawning pads outlining a vast underground space. the drums here are again rubbery and rolling, but a little more prominent, and the whole thing manages to be both soothing and unsettling. after this fine ep starts the label in style, a remix ep from blawan will follow.

the duo gravity disturbance opens with the first reference of his newly founded label ritual waves, where they intend to worship the electronics from his serious, dark and hypnotic perspective. his first proposal “unsynchronized movement” has three tracks created in 2014 (the year in which this formation is born) and representing the mutation that has been his personal vision of techno, without renouncing its essence purely underground. gravity disturbance finds its place in the production and makes the leap to the scene, where they have much to contribute.

mono-enzyme 307 debuts on the main natural sciences label with adventures in cryosleep , a record of corrosive space sludge dipping between deep acid trajectories, twisted cyber funk, narco new beat, android warehouse movements, detroit machine tyranny and musicalities often referred to as -techno-. we present the first phase in the mutation.

unlucky 013? ha! this one’s a pearler. multi talented producer red rack’em climbs up the fertile n s y d e spirit tree for this glowing summer release in the form of the ‘nothing without you’ ep. a mutation from the same skunky-soul strain of n s y d e 005 by skymark / lady blacktronika. the title cut is a result of a red rack’em tour through the south pacific, connecting with inkswell and fam. what was meant to be a rack’em / inkswell track instead ended up with australian vocalist, now berlin diamond in the rough: misumami liberally sprinkling her magic throughout. with a proposed subject matter based around missing loved ones while apart, misumami weaves an enchanting story of longing, and matters of the heart, through signature sleek, clever, floor ready rack’em production. flip for ‘love beat’ and here we get red rack’em- the funky technician fanboy, dusty fingered native tongue devotee, and closet jazz dancer. the loose, bumping drum programming and sculpted, cubist jazz sampling (inna heavy mandalorian funk fashion) weld this nocturnal seduction dance together. this is a late night groover, an eyes closed on the dance floor vibration. both sides are modern, vital, considered house music, where the problems of the world dissolve in a heads down- vibes up situation. mastered by pole at scapemastering so you know it’s gonna bang...

ontal series is back with it’s second (ontal #2) output which includes a collaboration between dronelock and ontal called “svest” accompanied by a powerful tribal remix from the main man behind mord records - mr. bas mooy. the flipside starts with an industrial ebm track called “mehanizam” and ends with “lesion”, an acid techno/noise mutation that ontal performed in their live sets for the past few years.

following the release of the -eleccio- mix cd in 2014, especial has continued on it s path to develop and push a club sound that is slightly more leftfield than the on-going boompty house rehash, the mutation of nu-disco in to something a bit more proggy, trancey and the never ending thud-drug-chug of the 110 bpm ableton-for-beginners brigade, by offering a mixture of musically psychedelic, twisted, dubbed-out, proto-obsessed club eps.

troubling up with our man cliff again. be on the l00k out for very big balls in the early summer of 15.

dritter und letzter teil der cargaa ep-trilogie auf warp, die der underground-grime-szene von lissabon gewidmet ist, wo junge produzenten polyrhythmische inspiration aus der afro-diaspora zu einer elektronischen clubmusik-mutation verarbeiten. der begriff cargaa kommt aus dem straßenslang lissabons und bedeutet heiß, geil. 12 inch mit bedruckten innentaschen plus downloadcode.

opening their doors every saturday for mind-altering shock treatment, power station has been giving their raging punters a potent dose of megawatt reality. their curatorial expertise has established an institution that will now extend the mythical energy generated with a record label in the form of annual limited 12inch compilations, grouping tracks that have already become the club s signature tunes. resident, booker and co-founder kris baha finds himself on both sides of the inaugural disc, with the ball of confusion solo production something something, and again as heavy concern in collaboration with otologic s nick murray, a name synonymous with the melbourne club circuit being one quarter of the animals dancing massive. young gun disrute captures the optimum warm up set with the shape shifting slow burner ka-bu while scene veteran and haul music boss mike callander discovers a new lab mutation of sci-fi soundtrack, damaged funk and cerebral house

after releasing his new album, film of life, late 2014, tony allen makes a bridge with modern club music through 2 remixes. house guru ricardo villalobos and partner max loderbauer present a rework of * african man* , in which they slowly drags it in a minimalist groovy mutation. on b-side, rising londoner fort romeau reveals a new facet of tonys piece * go back*, bringing deep graceful and elegant modern discoid rhythm mixed with damon albarns silky vocals.

this four track ep kicks off with cladistic mutation , a sparse underwater soundtrack with only the gentlest suggestion of rhythm, lots of reverb and tiny little details that float by like micro-bacterial debris. m2 is a more beat driven dub track but is still way below the surface: the kicks are smooth and hunched over, the chords are smeared out in all directions and the atmosphere is lo-fi and grainy. on the flip, grain gets even more energetic, with firm techno kick drums setting a stern tempo as all sorts of aqueous details and spacious effec ts peppe r the groove. there s a heavenly nature to the pads and an industrial texture to the percussion that makes this a cerebral but physical affair from start to finish. lastly, neurowaves closes things down in blissfully dubbed out and horizontal fashion, with large sweeping pads, tweaked filters and evocative little details all placing you firmly under water.

this four track ep kicks off with cladistic mutation , a sparse underwater soundtrack with only the gentlest suggestion of rhythm, lots of reverb and tiny little details that float by like micro-bacterial debris. m2 is a more beat driven dub track but is still way below the surface: the kicks are smooth and hunched over, the chords are smeared out in all directions and the atmosphere is lo-fi and grainy. on the flip, grain gets even more energetic, with firm techno kick drums setting a stern tempo as all sorts of aqueous details and spacious effec ts peppe r the groove. there s a heavenly nature to the pads and an industrial texture to the percussion that makes this a cerebral but physical affair from start to finish. lastly, neurowaves closes things down in blissfully dubbed out and horizontal fashion, with large sweeping pads, tweaked filters and evocative little details all placing you firmly under water.

polluted system is a track suitable for the main room, the energy of the kick and the bass leave no respite from start to finish as a joint of metal percussion and synths fit gradually to fill the sound spectrum of this track. becomes human machine in a few minutes, using acid and industrial sounds, conveys the idea of the change that is happening around us: people are becoming more and more machines, and this is the soundtrack of the mutation. unlocked human, while remaining in acid and mechanical territories, thanks to a groove of more organic toms and hi hat still let the human element glimpse, not yet deleted by the machines, all accompanied by a relentless kick which makes it a perfect tool from the dancefloor . no system, which give the title to the ep, ends this sequence with dreamy and futuristic atmospheres, the ruling part is still a simple but instantly recognizable acid bass, over breakbeat-oriented rhythmics.

truly one of the most prolific producers of the techno new breed, markus suckut always delivers with his trademark reduced style, designed for heavyweight soundsystems and heavyweight djs.

another intelligence is a label with new tools for creative djs and techno artists. right now we have here four tracks of complete trip along the visions by visitors of another worlds with a different intelligence. good for the high class dancefloors and the best thinking minds. dynamics, solids and differents.the techno of the future is in our living present.just, obtain your own conclusions. tadeo is one of the best spanish artist, he is in continuous change, researching new kinds of expression of music and other forms of plastics art.

despite the advent and cari lekebusch being two of the most enduring names in techno, the release of sonic intervention is the most high profile product to date of a working relationship that has that has spanned almost the entire history of techno. something of a landmark for all concerned, not only is it the first full-length album from the advent since 2005 s t.r.i.n.i.t.y long player for berlin s tresor records but for h-productions and its founder, the project is the highlight thus far of the labels resurgent release schedule. as lekebusch commented, to have known and respected cisco and his music or so long it was of course a great moment to get to release this album. the blend of old and new styles with high caliber the advent production has created a strong album with depth and variety that i think new and old fans alike will really enjoy .

almost two years have gone by since the team at injected poison records launched its previous vinyl record. now, the label headed by the spanish artist jose pouj brings us its fifth release. this issue will be jam-packed with the best and most up-to-date techno, because they have enlisted the most outstanding spanish producers: oscar mulero, christian wunsch, exium and the labels boss himself: jose pouj.

chasing voices returns for its 4th installment with an audacious reiteration of the projects uncompromising ethos and technique. >valley of the dry bones< operates on the peripheries of club music and far-sighted rock mutation, death march-disco for the ever-present sunburn of daily scourges and musical apathy. prospering from plentiful sentimentally-tinged stabs and a breathtaking, slow-churning progressive disintegration, >valley of the dry bones< hits intuitively and suddenly, a bent and bruised anthem for problematic times. despair can be celebrated, and celebration can be despairing—if anything the nyc collectives latest bomb seems to stem from a need to revive the cannibalism of a movement that has grown weary of its own cliches, to dissect itself and hopefully come out the other end better and new?? albeit scarred and never quite the same.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

nice price deal !!! the first release from il bosco aka christian wood aka woody aka crowhead aka nudge! a man of many names he has been part of the make up of manchester club land for many years. he was resident dj at fat citys infamous friends and family night & a recording artist for grand central and aim’s atic records during the noughties. after a couple of years hiatus he’s back out of the studio with four tracks and taking a new direction. the tempo is up and a mutation of old school rave, italo, house and electro is in the offing.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various / different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the >antiparallelity< is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking, anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you

systematic welcomes the polish producer duo pol_on from warsaw who are comprised of kacper bogacz and michal piotrowski. after having released several cool 12 inches on freerange, mothership and get physical the first collabo with systematic recordings was a remix they have prepared for spirit catcher. the a side track >were lost< sounds like an energetic mutation of aphex twin after having played too much with powerful house grooves and >heavy rain< on the flip side sounds like a hybrid of old imagination e-piano samples paired with deep house chords in combination with slightly delayed but ass kickin soul grooves. pretty crazy and unpredctable but hey, systematic is kind of the same, isnt it?

pittsburg, pennsylvania native and four year old sonic groove label resident realmz is back with his latest music endeavor >astral body” his latest 4 track offering seethes with futuristic sound designs layered perfectly over industrial technoid drum rhythms. with his past roots planted firmly in both industrial music and detroit techno, mr d atri knows a thing or two about crossbreeding both these styles as evident in his past releases. here within >astral body< you will find the perfect genetic mutation of industrial and techno...

after an amazing debut release simply called ep. 1, marcelus returns to deeply rooted house with a exciting twelve inch ep. 2! rawer stompin tracks that never fail to capture that essential funking groove that make the difference between a standard techno track and a track that stands out! somehow drifting between new school techno and old school early 90s acidic chicago house marcelus surely merged best of both worlds into 4 subtle and haunting techno tracks with an unstoppable groove.... just how we like it

6 tracks speedcore & hardcore, incl. remix by the destroyer, limited edition 150 copies only!

a new sublabel has grown from the finnish imprint, x0x records. the proform series is a new offshoot which plans to focus on the sounds of acid and acid house. with their 303, 202, 606, 808 and 909 warmed and ready the first to start down this line is virta with their spammers ep. limited to 200 hand numbered copies

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

after only a handful of productions and remixes under that illusive moniker, british techno pioneer luke slaters >l.b. dub corp< arrives on ostgut ton in its latest electronic mutation.

fatal hxxxc machine! 100% dancefloor killer, toxic!

the vinyl package includes an essay, which was part of the original cd package and now arrives on one side of the inner 12inch sleeve. the essay, album and track titles take direct inspiration from slavoj zizek, whose analysis of cinema was a strong beginning point for the project.

guy gerbers supplement facts records is proud to present the rise e.p. by - jona -(sfr019). the rise ep carries three original productions by the belgium born artist jona. hes a newcomer on supplement facts, but a veteran to quality techno productions and we are excited to welcome him! the release rise ep continues to push the musical boundaries of the supplement facts sound, this time in the direction of a solid techno production in typical >jona< fashion. deep beat lines and long stretched chunky bass riffs elegantly piece together the cheeky highs throughout this release making all mixes true peak time dance floor options.

the second half of the great lengths remixes package offers 3 more vividly contrasting interpretations of album tracks. almost a year on from the release of his debut album >one< and with >saviour of techno< plaudits still bouncing off concrete walls, berghain lynchpin ben klock turns in a remix of is this insanity that distills everything inspirational about both the club and city he calls home. spaceapes cracked vocal is welded to a sort of cavernous piston driven groove while traces of the originals melody fractured into the briefest of shards fight their way to the surface only to sink back into the percussive smog. located well outside of the heavily scrutinised uk hype centres, manchesters rising star illum sphere continues to hone his already distinct sound on the flipsides brilliant orange reworking. a clanking off kilter groove rubs up against an extended mutation of the original melody that pushes the track towards a poignant climax, evoking all the ache of reaching for the stars and landing squarely on ones face.

after some remixes for some labels, jaumëtic returns to his label with a shining and renewed sound, that will also see the light in new works for other european labels in the next months. dulces paparruchas is what we could call >hit< in all rule. intense, changing and forceful to equal parts, and with a impressive progression able to burn all the dancefloors. terribles albricias maintain an excelent groove from the principle to the final. a noticeable flavor of summer and a surprising mutation to perviete and transfers the track at another hotter level.